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Clowning Around with the 5D, RED, and Alexa
The producers of the IndieGoGo Project “Clowning Around” asked camera assistant James Lackey about his take on the Canon 5d, RED, and Arri Alexa. A burned up Arri that the factory managed to get back...
View ArticleArri’s New LED L-Series Fresnel
Ryan Fletcher at the IBC 2011 presents the ARRI L-Series which includes a fixture that is capable of not only changing color temperatures and intensity, but also changing color completely:
View ArticleHow It’s Made: Cine Cameras
Find out how motion pictures get their action on this clip from The Science Channel’s, “How It’s Made.”
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Shooting Day for Night on “Hyde Park on Hudson”
In this interview for ARRI, Director of Photography Lol Crowley discusses using the ALEXA on the set of “Hyde Park on Hudson” ARRI: What were some of the factors that led you and Roger to choose ALEXA...
View ArticleIntroducing the ALEXA HD
Mitch Gross and AbelCine introduce the new Arri ALEXA HD, a camera designed for economical and efficient HD video workflow. It shares the same sensor, color processing, controls, and menus, as well as...
View ArticleAbel Cine Introduces the Alexa HD Camera
The new Arri ALEXA HD camera is designed for economical and efficient HD video workflow. It shares the same sensor, color processing, controls, and menus, as well as accessories and software license...
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Color grading WORLD WAR Z
Captured on ARRI ALEXAs World War Z maintains several looks to evoke specific moods as Brad Pitt’s character moves from place to place in his zombie-battling endeavors. DI colorist Adam Glasman of...
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Introducing Arri’s Ultra Wide Zoom 9.5-18/T2.9
Introducing the new UWZ 9.5-18/T2.9, a super wide-angle zoom lens that covers the image area of large sensor cameras and delivers exceptionally detailed, distortion-free images. Thorsten Meywald, ARRI...
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ARRI AMIRA: The ALEXA for Documentary Filmmakers
ARRI Product Manger Marcus Duerr introduces AMIRA, the versatile new documentary-style ARRI camera, with in-camera CFast 2.0 recording and easy, single-user functionality. Throughout its long history...
View ArticleCompairing 8 Different Cameras in a Head to Head Test
Ludovico Bettarello compared 8 different cameras: Nikon D5200, Blackmagic Cinema Camera, Nikon D500, Canon 5D MkIII, Canon C500, Sony F55, Red Epic and Arri Alexa in a rather interesting head to head...
View ArticleDP Sean Bobbitt’s Masterclass on Handheld Camera Technique
A Guide to Handheld Camera Operating with Sean Bobbitt, BSC, from the ARRI Workshop at this year’s Camerimage Film Festival. Via NoFilmSchool
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Gaffer Cory Geryak on the lighting of “Her”
Gaffer Cory Geryak talks to Arri about using the L7 LED fixtures, Fresnel lights with tunable color temperature, on Spike Jonze’s sci-fi foray into OS-love. It’s a very performance-driven movie where...
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Understanding Iris Rods for Arri Cameras
Matthew Duclos helps decipher the rod standard chart of all ARRI Pro Cameras. Arri has provided a really simple, comprehensive diagram of the three different iris rod standards. It seems like there has...
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A Hands-on Experience with the ARRI AMIRA
Justin Aguirre gets up close and personal with Arri’s entry into the ENG market, the AMIRA which retails around $40,000. The opportunity to head up to the ARRI headquarters in Burbank for a one-on-one...
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A Review of the Arri Amira
Sebastian Wober reviews Arri’s latest offering – a camera sporting the ALEXA sensor but designed for small crews and documentary filmmakers. The Arri AMIRA is not only targeted at documentarists and...
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ARRI AMIRA vs ARRI ALEXA
Shift 4 compares Arri’s two line of cameras the ALEXA and the new AMIRA.
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